Inside the library you’ll find a wide selection of samples, loops, MIDI, WAV and drum sounds inspired by the elusive artist. The Clams Casino royalty free collection is the perfect arsenal for any music producer looking to inject their tracks with some of the complex and creative textures the legendary producer is known for. Only then can he re-discover his identity within the genre.Royalty Free Samples inspired by Clams Casino If this is the path Clams Casino wants to go down, the production needs to sound less like the soundtrack to a sci-fi movie.

There are moments of clarity – especially with the glistening synths and valiant attempts to craft a meditative piece – but it appears he’s trying to do too much by not doing enough. The likes of ‘Twilit’, ‘Glowing Bones’ and ‘Lyre’ are similarly bland.Ĭasino’s foray into experimental ambience has plenty of faults. Though ‘Fire Blue’ features a decent warped, slowed down vocal, it’s ultimately pretty forgettable stuff. Could Clams could have taken samples or rap verses and played them over his spectral instrumentals? ‘Moon Trip Radio’ would have benefitted from gruff vocals perhaps those of Ghostface Killah, whose uncompromising delivery was so effectively offset by Toronto band BadBadNotgood’s smooth jazz sounds on their collaboration ‘Sour Soul’ you can imagine Ghostface, er, killing it over tracks such as ‘Healing’ and ‘Soliloquy’. Songs such as ‘Cupid Wing’ do stand-out, as he manages to throw together hi-hats, synths and warped, glitchy vocals – but it’s over before it begins. He weaves, dabs and ducks but doesn’t punch, offering very little of substance on this self-released new project. But it all feels so slight like the smallest touch can knock it down. There are bursts of atmospheric ambience and melodic guitars, metronomic drums that nestle deeply within the grooves of the track and twirls of soundscape wrap themselves around the production. Over these 11 tracks, Clams directs us away from the aforementioned sounds we would usually associate with him. His second solo album, ‘Moon Trip Radio’, is a heavily experimental record that finds Casino attempting to forge an identity in a new genre. Casino went on to collaborate with renowned artists like Lil B, Mac Miller, The Weekend and Schoolboy Q, all the while remaining distinctive as an artist in his own right. With layered, greasy bass underneath haunting synths and staccato drums, Casino’s productions stood out on A$AP Rocky’s breakthrough project ‘$AP’.

Clams Casino catapulted himself into the cultural sphere at the start of the decade.

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